![]() ![]() Step 5: Click ‘Open Folder’ to get generated ProRes 422 QuickTime files for transferring and editing in Final Cut Pro X with optimum performance. Step 4: Click ‘Convert’ to start GH5 4K footage to ProRes MOV conversion. ![]() If necessary, you can click ‘Settings’ button and go to ‘Profiles Settings’ panel to modify video and audio settings like video encoder, resolution, video bit rate, frame rate, aspect ratio, audio encoder, sample rate, audio bit rate, and audio channels. Step 3: Adjust video and audio settings (for advanced users) Important: If you’ve loaded a number of video clips to do batch conversion, please do remember ticking off ‘Apply to All’ option before you start. If you recorded some videos by the new Panasonic GH5, you may like editing these 4K files in mp4 or mov format.But, if you import Panasonic GH5 4K videos into Davinci Resolve, users always encounter video and audio problems, as the H.264 codec from GH5 is efficient, but simply isnt designed for editing. ![]() But, to answer your question, ffmpeg can chew through almost anything you throw at it, and make ProRes. Its very old, its not widely supported anymore, and it doesnt really support any modern codecs. When loading them into FCP X, you needn’t wait for a long time for rendering. So AVI is just a container, and ProRes is just a codec. Apple ProRes is the best suited editing codec for FCP X and its former version FCP 6 and 7. Step 2: Select ‘Apple ProRes 422 (*.mov)’ as output format for opening with FCP Xįrom the ‘Profile’ bar, move to ‘Final Cut Pro’ catalogue, and select ‘Apple ProRes 422 (*.mov)’ as target format. When its main interface comes up, click ‘Add File’ to load source video to it. Step 1: Run HD Converter for Mac as a professional GH5 4K video to FCP X Converter. How to convert GH5 4K files to ProRes for FCP X editing? Learn how to transcode GH5 4K files to ProRes for editing in FCP X below. Thankfully, transcoding the GH5 4K footage to ProRes codec before editing would solve the issue. With so many cameras now shooting 4K, a lot of people have computers that will struggle to edit the GH5 4K footage. Any workarounds to get around this? Can anyone kindly suggest a solution if you know? Thanks in advance.”Īs a matter of fact, 4K media requires a ridiculous amount of processing power if you want to edit it in its original format. After importing the GH5 4K video clips and putting them on the time line the clips will need to render – the wait time for this is really really too long, seems can’t finish at all. I am having a hard time with how slow the Mac is at the moment. I used FFMPEG and the following code: if not exist '.\CONVERTED\' mkdir '.\CONVERTED' for f IN (.MOV) DO ffmpeg -i 'f' -c:v proresks -profile:v 3 -c:a aac '. ago I was able to convert the GH5 ProRes files so that I can Edit them with DaVinci Resolve Free Version. “Hi there, can anyone help please? I try to edit my GH5 4K footage in FCP X on my Macbook Pro (13-inch, Late 2011). 1 1 comment Best Add a Comment EveryShelter7189 2 yr. My Mac is struggling to work with GH5 4K footage in FCP X In this post, we explain how to transcode GH5 4K files to ProRes codec for editing in FCP X fluidly without any issues. Fortunately, editing Lumix GH5 4K footage on a low-spec Mac machine is still possible with a little workaround. If you are working with a relatively slow Mac computer, you may struggle editing Panasonic GH5 4K footage on it through Final Cut Pro X. ProRes, which is very fast (even faster than vanilla MJPEG)).This entry was posted in Edit 4K on Mac/PC Video file conversion on by Richard 10-bit 422 ALL-I H.264 is pretty much the same as ProRes (a form of MJPEG in a sense: however H.264 ALL-I likely has more advanced macroblock handling (variable sizes, quality), which can provide higher quality but is more expensive to decode vs. Thus, I included high-bitrate H.264 420 8-bit as well as H.264 10-bit 422 which preserve color much better and should be visually equivalent to ProRes, especially when coming from H.265 8-bit 420. I tried various workarounds when developing Photon however non of them worked (ProRes mode 1 in Photon has the least color shift vs. For ffmpeg-based transcoders, there's a bug in ffmpeg and ProRes: it appears anything > 1080p gets marked as bt601 (instead of rec709) and the resulting incorrect transform(s) change the color and gamma. Do these various converters deal with color differently? The colors seem to get messed up to my eyes in Gamma DR. On just standard profiles, it looks great right out of the cam, but I haven't found a good flat setting yet. I'm really liking my NX1, but i don't really feel like I'm maximizing its potential, especially in terms of DR and color.
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